사용자 설명서 RYOBI RMS1221 SCHEMA

[. . . ] [. . . ] RMS1221 K015 Ko D3-4-2-1-7c_Ko S002_Ko D3-4-2-2-2a_A_Ko 2 1 ÷ 2 ÷ 3 ÷ ÷ ÷ 4 5 6 ¶ ¶ ¶ ¶ ¶ 3 1 2 3 4 5 6 18 POWER OFF ON MONO STEREO MIC2 AUX(R) MIC PHONO LINE MIC1 AUX(L) AUX AC IN 1 MASTER OUT L 2 L LINE PHONO CD L LINE PHONO PHONO LINE CD SIGNAL GND R R CONTROL R CONTROL 17 16 15 14 13 12 11 10 9 8 7 4 POWER OFF ON MONO STEREO AC IN 1 MASTER OUT L 2 R L R R L ÷ ÷ POWER OFF ON MONO STEREO MIC2 AUX(R) MIC PHONO LINE MIC1 AUX(L) AUX AC IN 1 MASTER OUT L 2 L LINE PHONO CD L LINE PHONO PHONO LINE CD SIGNAL GND R R CONTROL R CONTROL R L L R R L R L R L R L 5 1 2 POWER MIC MIC 1 LEVEL CD 1 PHONO 1 /LINE 1 CD 2 PHONO 2 /LINE 2 MASTER LEVEL 13 14 24 0 TRIM TRIM 2 CHANNEL DJ MIXER 3 MIC 2 LEVEL +9 3 0 +9 BEAT EFFECTS 25 0 HI 4 MASTER LEVEL OVER OVER 4 HI BPM 15 AUTO +9 EQ +9 26 EQ LOW HI MID 5 +9 4 2 0 -2 4 2 0 -2 5 1 12 16 TAP MID 2 EQ 4 +9 11 BEAT PITCH 34 17 ERASE 27 MIC LOW 6 +9 -4 -10 -4 -10 6 LOW 8 21 OFF ON TALK OVER dB dB 16 +9 41 18 19 PHASER ROBOT ROLL IN-LOOP SAMPLER 7 BEAT BANK FLANGER FILTER ECHO 20 HEADPHONES CH-1 CH-2 MASTER 28 LEVEL 10 9 8 7 6 5 4 3 2 1 0 FADER START 8 8 10 9 8 7 6 5 4 3 2 1 0 FADER START DELAY CH. SELECT 2 1 MIC MASTER 21 LEVEL/DEPTH 29 0 9 THRU 11 10 MIN MAX 22 ON/OFF ¶ 23 ¶ PHONES 30 12 ¶ ¶ ¶ ¶ ¶ ¶ ¶ <1 2> 6 ¶ ¶ ¶ 7 [MIC] [AUX] MIC/AUX 1 STEREO/MONO 1 POWER 2 3 TRIM BEAT EFFECTS MIC MASTER MIC MASTER 3 BEAT EFFECTS 7 MASTER LEVEL MIC 1 LEVEL, MIC 2 LEVEL 4 EQ 4 HI, MID, LOW 2 [PHONES] HEADPHONES 1 HEADPHONES CH-1, CH-2, MASTER 5 2 LEVEL 6 THRU/ / ¶ ¶ ¶ ¶ ¶ ¶ CH-1 ON OFF OFF ON ON OFF ON CH-2 MASTER OFF OFF CH-1(L) ON OFF CH-2(L) OFF ON MASTER(L) ON OFF CH-1(L)+CH-2(L) OFF ON CH-1(MONO) ON ON CH-2(MONO) ON ON CH-1(MONO)+CH-2(MONO) CH-1(R) CH-2(R) MASTER(R) CH-1(R)+CH-2(R) MASTER(MONO) MASTER(MONO) MASTER(MONO) ¶ 8 7 ¶ ¶ <1 ¶ <1 2> 2> ¶ ¶ ¶ ¶ MIC MASTER BEAT EFFECTS 2 FADER START (CH-2) HEADPHONES 2 FADER START (CH-1) THRU/ / 1 35 MIC MASTER BEAT EFFECTS ¶ 2 FADER START (CH-2) HEADPHONES 35 2 FADER START (CH-1) ¶ ¶ ¶ 1 THRU/ / 9 10 ¶ BEAT EFFECTS BPM ¶ 1 AUTO TAP AUTO 1 12 TAP 2 34 4 11 BEAT PITCH 8 21 ¶ 5 4 BEAT/PITCH ­, + BEAT/BANK =1(1/2) / 2(3/4) / 4(1/1) / 8(2/1) / 16(4/1) =DELAY / ECHO / FILTER / FLANGER / PHASER / ROBOT / ROLL CH. SELECT =1 / 2 / MIC / MASTER LEVEL/DEPTH ¶ LEVEL/DEPTH 7 MIN MAX 6 7 ¶ ON/OFF 4 ON/OFF 1 2 ¶ ¶ ¶ ¶ ¶ ¶ ¶ ¶ 12 13 ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ ÷ 14 15 [CH-1] RIAA [MASTER OUTPUTS] PHONO1/LINE1 CD1 MUTE TRIM ADC CH-1 Master out DAC PHONO /LINE PHONO LINE MASTER OUT 1 MASTER OUT 2 CD [CH-2] RIAA [HEADPHONES] PHONO2/LINE2 CD2 MUTE TRIM ADC CH-2 H. P out DAC PHONO /LINE PHONO LINE PHONES DSP CD [MIC/AUX] CPU MIC 1/ AUX L MIC 1 AUX L MIC 1 LEVEL ADC MIC 2 LEVEL MIC 1 MIC 2 SWITCHES & INDICATORS SDRAM MIC 2/ AUX R MIC 2 AUX R CH1 Fader Cross Fader CH-1 BPM detect [CH1] 3-Band CH1 EQ BEAT EFFECTS [CH1](pre) CUE Monitor [CH1] CH1 Level Meter CH1 CUE CH2 Fader CH-2 BPM detect [CH2] 3-Band CH2 EQ BEAT EFFECTS [CH2](pre) CUE Monitor [CH2] Cross Fader CH2 Level Meter CH2 CUE MIC 1 MIC ON/OFF Mono/Stereo Convert BPM detect [MIC] 2-Band MIC EQ Talk Over Detection Filter BEAT EFFECTS [CH2](post) BEAT EFFECTS [CH1](post) THRU CF assign DSP Talk Over BPM detect [Master] CH-1 CH1 CUE CH-2 H. P Mix CH2 CUE H. P out BEAT EFFECTS [Master] Master Level Meter H. P VR Master VR Master out MASTER H. P Mix CH1 CUE L R L R H. P out R L R H. P out L MIC 2 BEAT EFFECTS [MIC] MIC ON/OFF Mono/Stereo Convert MIC OFF/ON MIC 1 MIC 2 L R MIC/AUX L R R BPM detect CH1 Effect Processor Mix Ratio Effect out CH2 MIC Master BPM Counter Send to CPU L MIC out Master CUE CH2 CUE BEAT EFFECTS CH1 CH2 MIC Master Headphone out Headphone CUE CH-1 CH-2 MASTER L CH R CH ON OFF OFF CH1(L) CH1(R) OFF ON OFF CH2(L) CH2(R) OFF OFF ON Master(L) Master(R) ON ON OFF CH1(L)+CH2(L) CH1(R)+CH2(R) ON OFF ON CH1(Mono) Master(Mono) OFF ON ON CH2(Mono) Master(Mono) ON ON ON CH1(Mono)+CH2(Mono) Master(Mono) © RYOBI KOREA CORPORATION 2F, 105-219 Jeonghwa Bldg, Gongdeok-Dong, Mapo-gu, Seoul 121-020 Korea 121-020 TEL: +82-2-777-8005 Printed in <DRB1472-A> [. . . ] [. . . ]